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Although the LR viewer module is still active even after you stop renting it. Good idea to have backups in a readable friendly format. I don't rent cars and I don't rent software. If there was a plan to purchase at whatever level upgrade I am at, I'd be all over it. What I don't like and what keeps me from going for what seems to be a very good deal is, there is no end. OK, now don't get your whitie tighties all bunched up as I am just as big of a critic of Adobe as any of you. Plus each yearly upgrade was $120 bucks which are now free. If you consider what that would have cost in the olden days of a perpetual licence, it is a steal. After the year is up it goes to the regular price of $9.95 ($120 per year). LR and PS for $7.50 per month ($90 per year). All the schools and universities use LR and PS.Īdobe had a sale on the photography package for Christmas. All professional photogra[phy business use LR and PS. All pro shops I have ever been in use LR and PS. If it were a horse race they would be the "also ran's".
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That is why all the others claim they are "just as good" as LR and PS. LR and PS are the standards of the industry. However, there is the truth and there are facts which disgruntled folks fail to recognize. I already owned LR and CS6 so it really doesn't effect me.
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It is a joke and I have been pretty vocal about it ever since they announced it. DPP also needs a machine with a lot of processing power and memory, Adobe works better with a lot of horsepower also but it apparently is more usable on slower setups. After that first glitch it works fine but it is an annoyance that needs fixing. One really annoying glitch that showed up a few versions ago and remains still is when you select all and apply a recipe AND then select another image for editing the current DPP will always open the last RAW image in the directory instead of the one you selected. Although it has issues it has improved markedly over the years. Microsoft 365) but it will probably just hasten the rise of competition which is fine.ĭPP will meet the needs of most users who aren't tied to a specific rapid workflow environment. It is tthe same model that a lot of industry leaders have chosen (i.e. They will retain the professional market but it will be interesting to see if their revenue stream continues to match their perceived industry power position as they continue to irritate their user base. I use Adobe but I have never cared for the company's behavior even going back to their PDF fame days and the cloud model/rental software is a pain. I didn't find the noise cleaning to be anything special but it likely varies by camera body and shooting conditions. Probably it is fine if you aren't already very used to a couple of other packages.
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I tried DxO because of its reported excellent noise reduction algorithm but I didn't care for its user interface. While I really like the new Luminar 2018, one thing I don't like abou it is its noise reduction tool is not nearly as good as the one in the old version of Luminar (or in DPP, for that matter). The ability to make edits to selected areas of the image is the big advantage of Luminar, as well as the wide varity of one-click presets that allow you to very quickly add a bunch of effects to the image (many of the presets are a bit over the top for my taste, but there's a slider to adjust the intensity of each one to fit your taste). Typically, I'll use DPP for my basic adjustments to tone, color, lens correction, and noise reduction, then save as a TIFF to make final adjustments in Luminar. Most importantly to me, DPP renders color from Canon cameras more accurately than either version of Luminar, and DPP offers more flexibility and detail in making color adjustments. However, I've found both have some limitations that keep me using Canon's DPP for basic edits. Both versions are powerful and useful photo editing sotware. I have the prior version of Luminar as well as the new Luminar 2018.